Ben Collins (SFCD) - Upon the Shaving of my Head (2008)

This album is pretty much an all-out noise affair. The first four tracks are done with tape loops and vocals, and the last two tracks are guitar based. It's all just me, each track is performed live and unedited.

Enjoy.



Download the album HERE

Two SFCD albums

Natural

Download it HERE

and


Late nights and quiet afternoons

In two parts, download part one HERE and part two HERE

I finished these records today and so they are being posted together.

Natural is an album that I have been working on for a few weeks. My approach for this record is incredibly simple: about half acoustic songs with singing (and some form of lyric) and half old-fashioned harsh noise, made primarily with voice and tape loops.

All of the music was recorded in garageband, over the course of four sessions, two for noise two for songs. Then I brought it all into pro tools and edited it over this past weekend.

I haven't made a record quite like this before and I am eager to hear what anyone thinks of it.

1. Maybe yr favorite
2. Too many words
3. Strengths
4. Calls
5. Young voices
6. n/a


Late nights and quiet afternoons was actually recorded a few months ago, over a couple different sessions. It is a drone album. Each track is made with just my guitar plugged through a distortion pedal and a loop pedal and recorded direct into the computer. It is a long record (just under 80 minutes) but I think it could be a rewarding listen.

1. Sunday
2. Citizen Cannon
3. Snow
4. Redwine


All sounds made by Ben Collins

SFCD - inandoutofdoors

And here is another of my SFCD albums. This one is fairly recent actually, it was recorded at my old house in Savannah in the summer of 2007 and was edited and mixed here in Fayetteville around Christmas 2007. I'm not exactly sure why I am only just now posting it, but whatever.

The album consists of two tracks, one recorded outside the house in the daytime (the scene on the cover is from this event) and one recorded inside my house at nighttime. All the sounds are made by guitar drums and vocals all played by me and layered on top of each other to give the illusion of synchrony.

The music is very free, the drums rarely keep any kind of consistent beat and often the guitar is frantic, noisy and atonal. The second track features some more melodic playing and singing with a healthy dose of free-noise spattered on top.

Two of my big heroes on the electric guitar are Ray Russell and Keiji Haino, so I'm sure that their influence can be heard throughout the record.

All sounds played and recorded by Ben Collins

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